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Permanent gallery - Donation conservatory S.Pietro a Majella in Naples

Italiano

The great painting leans on the great ideas.
Great ideas have this effect: or to stimulate the ghost of the painter or to suffocate it.
The fertile idea of Raffaele Canoro is the observation of the world. A long pilgrimage toward a sacred place: the world of the silence, that of the meditation, of the practice of the to paint.
Its look dresses him of scientific investigation remaining on an entire body (not corrupt); shunning with care the complaisant naturalism, the impassive iper realism and the limbo of the state-of-the-art one.
In the opulence of the western civilization, where space is less and less, less oxygen, less time; in this culture of the urgency of the rapid one, already used, to do without thinking; where the art becomes a splendid superfluity; our artist appears as a survived dinosaur; with a heavy baggage: the pain of the knowledge.
In the fast passage on this stone that turns in the space, in this to melt himself, he escapes from the ephemeral sign, casual, immediate, experimental, from the << free action >>; celebrating, after a long pregnancy, the insatiable sign of his human landscapes.

of Roberta Pirozzi


 
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